La La Land: Spot the Reference

La La Land is the third feature-length film from writer/director/wunderkind Damien Chazelle (Whiplash). Set in modern-day Los Angeles, La La Land pays tribute to and ultimately reinvents both classic Hollywood cinema and musicals, as well as several other genres including the romantic comedy.

The film stars Emma Stone and Ryan Gosling, again proving that there can be no better on-screen chemistry than what they demonstrate. Gosling is quick, subtle and so believable as jazz-obsessed Sebastian. His musical performances are effortless, with Gosling mastered piano for the role, deeming the use of a piano double unnecessary. However, I truly believe that although La La Land is, for the most part, an ensemble piece, Emma Stone steals the show in every scene in which she is featured. She is positively magnetic in her execution of humour, from the imperfections in her vocals to her prickly vulnerability. Stone’s ability to fit and match so perfectly into this world as movie-loving Mia works to enhance the film’s metanarratives. She is astonishing and this film and this performance will truly come to define her career.

The use of colour in this film is wonderful. With the idea of each character having a separate dream, Mia and Sebastian are regularly bathed in either red or blue light. Red being Mia’s colour and blue being Seb’s. In the musical sequence which features the delightful song ‘A Lovely Night’ (which is now stuck in my head), the pair dance in front a purple L.A. sunset as their colours collide and their dreams change to focus on each other.

Chazelle’s world decorated with primary and secondary block colours, best demonstrated in the film’s opening number ‘Another Day of Sun’. Each colour worn by different characters represent the dreams that they are chasing in Los Angeles.

La La Land utilises characteristics of the old Hollywood musical such as the wide tracking shot. Although the execution of these sequences are nothing short of perfect, the film differs from many of its predecessors with the presentation of imperfect subject material. For example, during ‘Someone in the Crowd’ (a delightful “girls getting ready” song), we are led through Mia’s small apartment which she shares with three other aspiring actresses. We glimpse realistic details and imperfections such as an untidy corner or a clothing strap sticking out of a dress. This aspect is consistent throughout the film, grounding it in reality, even during the film’s dream sequences. This small detail sets La La Land apart from its generic counterparts, in addition to Chazelle’s extraordinary screenplay. The dream sequences feel deserved and are so much more moving because we care for the characters and believe in their world which is so rooted in reality. However, this is not to say that La La Land is an entirely happy film. If anything, it is realistic which makes it both joyful and heartbreaking. In both screenings that I was lucky enough to attend, I (discreetly) wept.

Most of all, La La Land is an unequivocal tribute to the Hollywood films and musicals of yesteryear. Chazelle unashamedly references films such as Shall We Dance, An American in Paris, Funny Face, Singin’ in the Rain and Rebel Without a Cause. It is, of course, for people who love the musical genre by someone who worships it. This is not to say, however, that La La Land is only for these people. I truly believe that this film can appeal to everyone.

La La Land is definitely one of my favourite films of the year. It is such a feat of filmmaking and will hopefully shock the genre back to life. Also, it’s just delightful.

With Awards Season commencing, La La Land has already won Best Picture at the Critics’ Choice Awards and has been nominated for seven Golden Globes including Best Picture, Best Director, Best Actress and Best Actor. With the Academy Award nominations on the horizon, it is almost certain that it will receive similar nominations and win many more awards, leading the nominations with Moonlight and Manchester by the Sea.

Do yourself a favour and see this film. You deserve it.


This review is also featured on Pop Culture-y



Published by Ella Pace

Ella is a film critic currently working and studying in Melbourne, Australia.

3 thoughts on “La La Land: Spot the Reference

  1. I loved it too. Let me quote my review’s concluding: “Great cinematography is not unusual these days but the La La Land camera is like an artist’s brush that composes beautiful portraits against stunning urban landscapes in colour palettes that are richly retro yet totally modern. This is a film to bathe yourself in, let its exuberance, musicality, and nonsensical scenes of flyaway romance dazzle you. Today’s world needs more la la land.” I must see it again.


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